Friday, 28 February 2020

A Milestone for Tilda 3 - and Car Park Capers

You've heard of A Tale of Two Cities? This is A Blog in Two Halves...

This morning, I finished the first handwritten edit of Tilda 3.

What does that mean, I hear you ask? It means that Tilda 3 has moved from the first s****y draft in a notebook, past the first s****y draft on computer, and is now a paper copy full of multicoloured scribbles. It's still as far from a proper, finished novel as you can get, but my read through has helped me to see where the novel needs expanding, and how the mahoosive climax can be written so it's all Tilda's fault...

It also means that, when I head off to Weobley next week, to spend four days at a Writing Retreat run by two wonderful ex-cloudie friends - Jayne and Moira - I am in a position to either start typing up all the edits to Tilda 3 OR crack on with the first s****y draft on computer of Tilda 4. This fourth adventure for Tilda is going to start in a dark place... and involves Issrayan dragons.

Nuff said.

And the Car Park Capers?

Yesterday, Mr Squidge and I went to Leicester. We don't go often - we're not into big name shopping and we can get most of what we need in the town centre at home, but I had to pick up the new Paschal candle and palm crosses for church from the cathedral shop, and he wanted to visit Nada, a zero waste store. I also had to begin the process of applying for my e-Visa for India (I'm off to Trichy again, mid-April, in case I hadn't already mentioned it), so we planned to drop by Belgrave Gate and a particular travel agent's on the way home.

Anyhow, we checked where we could plug Sparky in to charge while we mooched, and headed off to the car park.

Now, finding the recharging points in any car park is a bit of an art. They are normally on the ground floor, well signposted and have green parking bays. We drove around all three - extensive - floors in the Highcross Rooftop Car Park and couldn't see a single one. Now, we didn't really need to charge - we'd have got home again quite comfortably - but we thought we'd do it anyway, as keeping the battery topped up is better than letting it run low.

We ended up pressing the 'Help' button. "I'll get my colleague to talk to you," the nice lady on the other end of the intercom said. Five minutes later, with no more contact from the disembodied voice, we were about to park up and not bother charging. Then said colleague appeared in person - and directed us from the sunny rooftop, back down onto the first level, to 'the dark new bit.' That didn't sound particularly attractive, as dark bits in car parks aren't very safe, but off we went.

We drove round the roof twice, trying to find the way out (signposting really isn't this car park's strong point - the exit was a very narrow ramp, hidden behind a wall with a teeny tiny sign) and followed the instructions back to the first level. Even there, we couldn't find 'the dark bit'. Then - Alleluia! - a green charge point sign. And another, pointing the way to - yup, The Dark Bit.

Now, the reason for the darkness became apparent as we drove towards the charge pod points. The lights were on motion sensors. So this newer part of the car park was being environmental with reduced lighting for most of the time because - let's face it - all it would've been doing otherwise was shining on empty, stationary vehicles.

We plugged in, and it took a while to download the app to enable charging - different suppliers have different apps you need to sign up to, which results in lots of faff when you start using a new supplier anywhere. I spent the time admiring the artwork... They were very keen to get the environmental message over, weren't they?





After all that, can you believe we didn't get much of a charge? It took so long to download the app, the charge point didn't let us draw any more power because it didn't think we were signed up to it.

But at least we know where we can go in future. And we both got the shopping we needed, had a lovely lunch in The Globe pub, and a mooch around the city centre in the sunshine. On balance, a good day.

Monday, 24 February 2020

How to market your books - and yourself, as a writer

I've been forced recently to question whether I do enough to market my own books; I've had some really disappointing sales figures.

It got me thinking, and I was challenged to take a look at what I already do, marketing-wise, to see whether I can improve things. So...

Blogging.

I blog, and not as often as I used to, I'll admit.

There are two reasons for that. The first is that over the last twelve, possibly eighteen months, I've been in a bit of a funk. Life has felt like a huge effort - my world seems to have shrunk and I've been pretty down at times. I believe I am peri-menopausal (sorry fellas, if you're reading!) which has affected my mood, confidence, concentration, and motivation. Quite frankly on occasions I've just wanted to shut the world out and curl up in a ball until I feel better. Another reason is that the Squidgelings are both at uni now, and I have found it extremely hard to adapt to them not being at home, as well as coping with issues they have had while they're away. Maybe I should've pushed myself to still share my life and writing, but I simply couldn't.

At least the blog's still here, and it's still the first place people come to, to find out about me and what I write. I like writing posts - and I hope you enjoy reading them, even if there haven't been as many of late.

Website.

I do have one. But set up after the Scribbles 'because authors need a website', I never really saw the need for it after establishing a blog - and it's horribly out of date. I used a freebie website thing to set it up, but the problem was that I didn't find it easy to use or make changes to. I was also using it so infrequently, I'd forget how to do things or the templates would have been updated and I didn't have a clue. I've said before I'm a bit of a numpty when it comes to IT - I'd rather not do it than make a mess.

I did look at getting one set up for me, but the cost was prohibitive, especially if I wanted to transfer all my Scribbles over to a new domain/host/whatever it's called. I will work on it in the future, but even with some lovely advice available from BInk, it's literally all double-dutch to me.

Facebook.

I'm on it. As myself, not as 'Author', and I'll admit to being very careful here about posting marketing information. Mainly cos facebook take offence if you sell on an undesignated page, but also because facebook for me is about more than selling. It's friendship and keeping in touch, and I don't want to jeopardise friendships by seeming to ram my books down people's throats. Of course I share when I've got a new book out or a cover reveal, but I don't do it to gain sales - I do it to share my excitement.

In all of my social media, I'm genuinely me, and that's something that seems to be really valuable when...

Selling the books.

The vast majority of sales for my novels are direct sales - it's relationships that sell books in my experience. People will buy once they've met me, but if they see my books as being written by an unknown author, they don't tend to take a punt without some knowledge under their belt or a recommendation. That's where catchy blurb/eyecatching cover becomes important too.

In the vast ocean of books on Amazon, my novels are mere amoeba and have to fight extra hard for attention. Especially when it's probably not children - my target market - doing the searching for suitable reading materials, but their parents and grandparents. Ditto on a bookstore shelf; most bookstores have children's titles limited to the big names or popular formula series that children love to read.

My novels have proven to have crossover appeal (instead of middle-grade, they need an 'anyone over 9 years' tag!) but labelling them as children's books can put adults off buying them for themselves.

And the price...I've said it before and I'll say it again - selling children's books is hard. An unknown author, whose books are twice the price of a known author (I know, there's also economy of scale to consider) is unlikely to get chosen. But a lot of the time the price is out of my control...

So relationship is really important for my sales figures.

Reviews.

I do get some lovely comments from readers. I also get some lovely reviews, but not very many. That said, I'm not very good at asking for feedback. All my books are listed on Goodreads and I've done giveaways; I've had one review as a result. One. From several, multiple copy giveaways.

Book reviewers like to have ARC's (Advance Reader Copies), and I'd be happy to send some out - but who do you ask? Children? Adult readers? Book bloggers? (The latter are really hard to get featured by, and I've not seen many for children's books.) The latter tend to focus on big names...

Author events.

I do a fair few of these in schools, for groups, or at fairs. I normally hope to cover my table fee, if nothing else - but schools can be tricky as they may not want you to sell direct. Most of the money I make as an author comes from events where I'm giving a talk or running a creative writing session and charge a fee - any books sold on top are usually a bonus.

Guest blogs.

I don't do this very often, but sometimes I write blogs for other sites. This widens my reach, but doesn't necessarily convert to sales.



Looking at all of that, I think I market myself more than my books - but I market myself in order to sell my books. Does that matter? It gets sales...but maybe I need to backtrack a step.

Why did I start writing books in the first place? To give readers good stories. Did I want to be rich and famous? No - I wanted to encourage children to read. So maybe, just maybe, I need to not be so worried about the marketing? Having said that, I'll ask for more reviews. I'll blog more. I'll take another look at the website and attend more author events if life allows me to. I might even blow my own trumpet a bit more.

Oh, and I'll be sure to hand out some of my new business cards...


Tuesday, 18 February 2020

How to run a writing workshop - for children

Delighted to be guest blogging over at The Writer's Cookbook today, with my top tips for running a writing workshop for children.

Check it out here: The Writer's Cookbook



Will be interested to see what those of you who also run workshops for children would add to my list... Feel free to comment so we can all learn!

Sunday, 16 February 2020

The laptop's retiring...

We're not sure how long we've had our laptop for. We guess well over ten years.

The soon-to-be-retired laptop, back in 2013!


It still operates in a fashion - the memory is almost full in spite of us deleting as much as we can, it runs an antiquated Word 2003, and has slow internet access. It's also got some sticky/broken buttons.

To be fair, it doesn't really bother me that much. I've often said I'm a bit of a technophobe, so I stick with what I'm used to. Hence the very old version of Word I use; I want to write, rather than faff about with settings in an unfamiliar programme. And I use the laptop a lot. Mainly because the main computer is difficult to work at because of my varifocals, but also cos the programmes look different to what I'm used to. I'm getting used to them, though...

Which is a good thing, because this Valentine's Day, I didn't get roses or chocolates. I got a new laptop.

Mr Squidge and I have been talking about umm'ing and aah'ing about replacing it for a while, and with me off on a writing retreat in early March to begin Tilda 4, it seemed like a good time to do it; new laptop, new book kind of thing.

Will it help me write any better? Don't know yet - I've got to get to grips with a whole new Word programme first.

Keep your fingers crossed for me - and for Tilda!


Wednesday, 12 February 2020

An author visit with added sock

Yesterday I was at Stamford High School for my first author visit of 2020; I'd been asked back three years after my first visit, to speak to Year 7 about writing and to run a short exercise on creative writing.

It was a glorious drive over the hills to Stamford - spring green in the fields nearer to Leicestershire, (though that was probably grass - the ground's still far too wet in places to plough and plant yet) and a deep red in Lincolnshire, (must be drier higher up) with the road undulating up and down like tarmacked waves. I always drive with music when I'm on my own - my CD of choice yesterday was a compilation by Fat Boy Slim, and as 'Bird of Prey' began to play, I saw not one, but two buzzards. Gosh, but they are HUGE!

I had no problem finding a place to park in Stamford, and stood watching what I think was a red kite soaring over the park. It had a deep red-brown underside and forked tail, anyway. The walk up to the school was a bit blustery, but I stopped off at St Martin's Church on the way up the hill. Last time I visited the school I sat on the church steps to eat pizza for lunch - this time, the church was open so I popped inside. It's a beautiful and peaceful building, with some really beautiful stained glass and monuments.

As to the visit itself...I had lunch with Miss S, who'd organised the visit, and a couple of other staff members. (Worth mentioning the conveyor belt to take the trays of plates away...could've played with that for a while!) And then we went to the library to meet the Book Club.

Now I've received little gifts in the past from students, but the Book Club showered me with things they'd made. The girls had been encouraged to read the Scribbles to find out a bit about me before I visited, so there were plenty of links to books, liquorice and socks!

little books (including a teensy tiny one!), origami, bracelet, cherryade,
beginnings of stories, envelopes, fortune teller and sock!
And to prove that the sock I was given fitted, here it is on my foot:



We had squash and biscuits and lots of questions, then it was time to head down to the hall (a different one to last time) to meet the whole year group. A fair few girls were presented with their merit badges before we began, then I was introduced.

I did the usual 'this is me, how I got into writing and how I go about writing' talk, then we got creative. Last time, I used my paint samples to inspire; this time I decided to use a character to spark ideas. At this point, I must credit the lovely Julie Cohen, because I attended her character workshop at York some years ago, and used some of the ideas from that but simplified them for the girls.


Eighty-seven girls got to work - and eighty-seven new characters were created. The hardest bit of the entire session wasn't getting them involved, it was getting my voice to carry. The hall was large, and my voice is still affected by this coughing virus I've had. (Six weeks and counting, but yes I've had it checked and my chest is clear...) There were some lovely ideas shared; Caleb, the slight ten year old boy who wore an oversized red sweatshirt. The object of importance which was the key to the character's heart. (Imagine, an actual key to your heart.) A cat as a character - which meant the student had to think about how to convey dialogue when it came to the character 'speaking'. Quite a few of the girls went above and beyond what I'd set them to do, and the pantsers got to work creating whole storylines...

It never ceases to amaze me how, when students are given free rein in writing sessions, so many of them can pick up an idea and run with it, without internal censoring or second guessing themselves. There's a freedom that I don't think our educational system allows students to have, which a visit like mine can allow - at least for a short time.

I really enjoyed myself - and I think the vast majority of the girls did, too. I hope that some of them will keep on writing, and one day I'll be reading their stories!

With thanks to Miss S for inviting me, to the Book Club for asking the best questions and for all my gifts, and for the whole of Year 7 for engaging so well in the workshop.